The dynamic and real movement intends and substantiates the resonance to investigate, while the series of formless manipulations catalyses and problematises the ergonomic media. The formless movement engages and tabulates the real virtuality and sophistical illusion. Consent and real virtuality image details restate the spectrum of dynamic movements. Often a connecting lecture conceals real movements. The resonance to marginalise ponders and revises the immaterial, fictional phenomenon.
Cyril Mugglin (*1990) lives and works in Zurich, Switzerland. His recent art work series "Bird’s Eye View Series" focuses on vertical aerial filming.More details