They envy us, because we're mortal
1 of 1 Editions Available
Unique NFT + Unique print on paper (produced on request in size 70 x 40 cm, signed by artist) This phygital work is available for purchase through Kate Vass Gallery. More info here.
Like every artist is expanding on the work of their most revered predecessors, In 'S O M N I V M', Ganbrood uses visual themes that have always inspired him since his youth: mythology and fairytales, theater and film, painting and photography, video games and comics. Drawing parallels in timeless variations of visual narrative by seeking their mathematical interfaces in latent space. Where a classically trained artist like a painter or a sculptor would dig these shapes and symbols from memory, Artificial Intelligence is providing the present-day artist with the tools to draw references from synthetic storage, where the craftsmanship of brush and chisel are shifted to recognition and curation of artificial outputs. Artificiality has always been a decisive element in Ganbrood's past work, whether using special effects and 3D animation for film or photographing actual events in a serene way that almost looked staged. Always fascinated by illusions and trickery, Ganbroods ‘oeuvre’ is a voyage of exploration into pseudo-figurative and mind-altering effects like pareidolia, apophenia and synchronicity. This exploration takes an almost literal shape in "In this hard rock, while you do keep from me" and "This Island's Mine", where sci-fi elements of glorious space adventures meet Renaissance scenes. Set in a cinematic universe, the viewer can almost define the actors and decor of those who, after close inspection, turn out to be little more than abstract shapes. "Tragoidia" and" Les Filles du Roy" are like stages. The elements of contradictory mediums like fresco paintings and photography or 3D are battling for the spectator's conclusion of how to interpret what is perceived.
Bas Uterwijk aka Ganbrood, (1968, Amsterdam, the Netherlands) has a background in special effects, 3D animation, videogames, and photography. Mostly self-taught, he has always been involved in forms of visual storytelling that imitate and distort reality. Since 2019 he combined his different skills and experiences when he started working with generative adversarial networks (GANs): Deep Learning, Artificial Intelligence based software that interprets and synthesizes photographs. With the help of these neural networks, he constructed photos that were never recorded by an actual camera. Portraits of people that lived before the camera was invented or people that never existed. Since early 2021, he has been minting Non Fungible Tokens on the Tezos blockchain. His latest series of artworks are more abstract: "pseudo-figurative" pieces in which he interrogates GANs on creativity and their ability to disrupt human visual recognition. The phygital works in the "S O M N I V M" series are available through Kate Vass Gallery. More information in this catalog.