Marlene is a curator based in Bern, Switzerland, who is interested in how digital technologies in the 21st century influence the production, perception and distribution of contemporary art. Her previous curatorial work has dealt with topics such as artificial intelligence, online self representation and body images in social media. She finished her PhD in art history on the topic of postdigital display strategies in contemporary art at the University of Bern and is currently working as a scientific associate at Kunstmuseum Bern and ZHdK.